Category: Traditional Architecture

There is A shower chair supposed to make bathing a comfortable and secure experience for anybody who has difficulty standing for long. However, it will not function as intended When it’s the wrong dimensions.

Front to Back

The standard thickness, or measurement from the trunk to the front of the chair, is between 15 and 16 inches, which is also the thickness recommended by the Americans with Disabilities Act (ADA). The chair ought to be enough for the user to sit down comfortably, but not too profound that it blocks the entryway or that it is hard to rise from. Depth varies between seat types. By way of instance, an sleeper chair is more narrow than a standard one that is rectangular. Fold-down chairs with a diminished depth are readily available for shower enclosures. A number of these seats are only around 12 1/2 inches deep.

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Small gardens frequently require a relatively small sum of topsoil, thus a bag or two from a gardening center typically covers the need. For large spaces, buying bulk material is often the cheapest option. Since bulk topsoil is occasionally retailed by the Cape Town, you need to measure the particular area properly to get the total square footage. You will use that figure to calculate the volume, or complete cubic yardage of material to buy. 1 cubic yard can be expressed as 1 lawn cubed or 27 cubic feet. Should you ever doubted the value of high school geometry, now’s the time to give it a go.

Assess the length and width of any rectangular or square gardening place with a measuring tape. Multiply the length and width figures together to get the area’s total square footage. A place 20 feet long and 10 feet wide has a total of 200 square feet.

Split an L-shaped gardening place into two easy rectangles with a piece of string. Measure each corner and calculate its square footage. Add the separate calculations together for the total square footage of the gardening area.

Calculate a 90-degree, or correctly, triangle’s square footage by measuring its base and height. Multiply the height by the base. Divide that amount by 2 to determine the triangle’s total square footage.

Divide a scoop with a piece of string in case the shape is not a perfect triangle. Run the string in the contour’s highest point down to a point straight underneath on its base to bisect the area into two right triangles. Calculate the square footage of each right triangle separately. Add the two figures together for total square footage of the gardening area.

Measure a round garden in any spot on its outer edge, or margin, to the middle point of the circle to get the radius. Square this figure, or multiply it alone. Multiply that amount by 3.14, or pi, to receive the square footage of the circle.

Multiply the width of an oval area by its length. Multiply that product by .08 to find the oval’s square footage.

Multiply any garden’s total square footage by the amount of inches in thickness of topsoil you need — but remember to convert the inches to feet first. This provides you the place’s cubic footage, which you can utilize to discover cubic yardage. If your lawn measures 15 feet long and 5 feet wide and you would like 4 inches of topsoil, multiply the 3 numbers together with the thickness expressed as a decimal. In this instance, the decimal kind of 4 ins, converted to feet, is .333, therefore 15 times 5 times .333 provides you 24.975 cubic feet. Notice this by 27, which is the amount of cubic feet in 1 cubic yard. This offers you 0.925, or slightly less than 1 cubic yard of topsoil.

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Formerly I have looked at the way the traditional gable form was utilized in modern residential architecture. The usage of the conventional form — what is the most familiar expression of house and home from childhood to maturity — in modern and contemporary residences appears to grow each year, so it seemed time to take a second look at jobs with gables. These illustrations run the gamut from the lively to the acute, in the abstract into the concrete, and virtually everything in between.

Among the most playful homes — span — is Sou Fujimoto’s layout for four flats on one Tokyo block.

The layout appears to be a drama on the childlike form of the house, piling it in odd ways that require exposed columns between amounts and even external staircase linking some flats to the street.

The job also alludes to the chaos of Tokyo, as if the town were a random stacking of functions beneath one another in a variety of ways. In any scenario, it is a building that easily gets one’s attention.

Another attention-getting gable happens with Dutch company MVRDV’s design of this Balancing Barn, a vacation house close to the Suffolk Coast, U.K., that is one of Alain de Botton’s Living Architecture jobs. From the driveway all you actually sees is the gable type, using a reflective metal skin applied to it along with 2 glass doors resulting in the kitchen area and rooms outside.

But walk around a little bit along with the construction’s name begins to become evident. The house is perched on a hillside, from which it cantilevers over fifty percent of its length. The living area is located at the front end, and a glass flooring reminds guests precisely what is going on.

The job balances the standard (gable form) along with the bold (cantilever), two opposites of sorts that are treated with the metal skin on either side.

Bagnato Architects

Sometimes a gable comes straight from an old building, as in this church converted into a house in Melbourne, Australia. Bagnato Architects added new floors into the old building (floor slabs can be seen running across the narrow arched windows) and added a small volume into the side that echoes the original.

Bagnato Architects

Unsurprisingly, the most striking rooms are situated beneath the gables in the former church. A round window and skylight are great excuses for going upstairs to catch some distant views and pieces of sky.

Remick Associates Architects + Master Builders

This house in Napa, California, consists of numerous concentric volumes side by side. The door and the window above it tip in the open spaces inside — in 14 feet, the door is rather tall, along with a flooring inserted between the door and the window would seem to create the very best space too short.

Remick Associates Architects + Master Builders

Indeed, Remick Associates has exploited the cognitive capacity of gables inside. Not only is that the room tall and bright, but the interior elevation is akin to a house exterior, with doors on the side and a window overhead.

Peter A. Sellar – Architectural Photographer

This ski chalet in Ontario, Canada, designed by Atelier Kastelic Buffey, utilizes a gable type in an abstract manner, devoid of much detail. The cantilever might not reach the extent of this Balancing Barn’s, but it generates an outdoor space that has the same shape as the space inside. The entrance is concealed behind the wood slats that sit under the terrace.

Peter A. Sellar – Architectural Photographer

Outside is a rather consistent treatment of wood, and the interior is treated like a seamless surface that wraps walls and ceiling. The tall windows attract lots of sunlight into the open space, aided by the square windows on the side.

Nick Noyes Architecture

The weathered wood shingles give the Sea Ranch Residence by Nick Noyes a conventional look, but these big windows in dark frames hint in a modern interior. The chimney acts as a hinge between both living and sleeping volumes, which can be linked by a small hallway.

Nick Noyes Architecture

Here is a view toward the fireplace, which is bordered by a large window on one side and the hallway to the bedroom on the other. The open gable makes the room seem generous yet intimate.

Wheeler Kearns Architects

Gable forms, particularly in buildings that are linearhark back to cabins, not just homes. So in the Camp Charlie Retreat outside Chicago, it appears right that Wheeler Kearns Architects utilized the shape for both long bars that slide past each other slightly.

Wheeler Kearns Architects

This allows for windows on each side of the rooms that job, such as in this spacious kitchen and living area. With windows on either side, the roof construction has to do some double responsibility, because gable roofs want to push outside. Walls can brace this tendency, but steel fractures or various other means can also counteract this force. They also help to give a rhythm into a room, here alternating with pendant lighting.

Carney Logan Burke Architects

This beautiful house in Utah, designed by Carney Logan Burke Architects, conveys the wood construction of the gable roof, remembering traditional architecture as far away as Japan. The big windows in selective metal cladding along with the corner are modern bits within the form.

Carney Logan Burke Architects

Unsurprisingly, the interior is quite spacious and light, thanks to the big windows. The beams are coated on the underside with a wood ceiling that accentuates the directionality of the gable and the distances. Much like all the cottage, steel ties aid to structure the gable.

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This family has been farming the fertile land of Washington state’s Skagit Valley for 3 centuries. When they chose to renovate a dilapidated farmhouse in their property, they called Realtor Dan Nelson, who called in a colleague, landscape architect Scott Lankford. The farmhouse turned out to be beyond repair, so that they started using a mostly blank slate. The customers, Nelson and Lankford worked together on a website plan, house and sequence of outdoor spaces. Priorities included creating a comfortable and functional home, incorporating some existing garden elements, manipulating sight lines to take full advantage of the huge views and linking the interior spaces to the outdoors.

at a Glance
Who lives here: Here is a few working farm, and a lot of their relatives, including children and grandchildren, live on adjacent properties. This residence is where they gather.
Location: Skagit Valley, Washington
Size: Around 2,600 square feet; 2 bedrooms, 2 1/2 bathroms
Year constructed: 2007

Dan Nelson, Designs Northwest Architects

The home has sweeping views of the fields in the valley and Mount Baker, part of the Cascades mountain range. Nelson, of Design Northwest Architects, and Lankford, of Lankford Associates Landscape Architects, worked together from the beginning of the job, and a huge part of the cooperation was creating sight lines to other areas of the homestead gardens as well as toward agricultural structures like windmills and grain silos from the greater landscape. This includes views from doorways and windows within the house as well as views that direct the eye during trellises and down pathways.

The new house sits about where the old farmhouse failed; the milk barn to the left was existing; the owners converted it into a playhouse for their own grandchildren. The customers attended Washington State University and picked red and gray to match their alma mater’s colors; should you look carefully, you can observe the college’s cougar mascot painted on the face of the milk barn.

Dan Nelson, Designs Northwest Architects

There are two main methods to enter the home from the road: upward the utilitarian working farm driveway and through the proper U-shaped driveway for guests. “The driveway to the left is a portion of this farm, and also the owners use it to access the garage as well as for big bits of farming equipment,” Nelson says. The plan team strategically sited the garage and driveway to keep these parked vehicles from view in the house and outdoor rooms.

Dan Nelson, Designs Northwest Architects

A huge part of the cooperation between architect and landscape architect was coordinating the indoor and outdoor spaces concerning substances and sensibility — for example, that this public-entry courtyard that guides guests inside via a formal axial plan that connects the parking court to the house. Once inside, guests enter the formal and public regions of the house.

The strict, straight lines become less formal and twist curvy as they go farther out from the house and wrap round the personal locations, like the bedroom wing to the left and also the outdoor rooms round it.

Dan Nelson, Designs Northwest Architects

“The concept for the home’s design was to make it seem like the house had evolved through time,” Nelson says. “We used different materials to state different areas of the house.” The formal public spaces (green in the ground plan) seem like they’re the first house; they are coated in cedar shingles and topped by a metal roof with a cupola.

Nelson coated the personal bedroom wing (marked in blue) and the garage (pink) in grey board and batten siding and shingled roofs to allow them to appear as though they were later developments. Lankford advanced the notion using corresponding materials and styles in the backyard.

Dan Nelson, Designs Northwest Architects

The landscape palette also overlooks the exterior facade’s elements; medium grey gravel is hemmed in by lighter rock edges. Montana ledgestone column bases relate to the rock walls from the landscape; trellises, fences and screenwork are crafted of cedar.

Dan Nelson, Designs Northwest Architects

Part of this cross axis in the entrance garden is the concrete fountain, which also ties from the house’s history. The fountain served as a bunny trough in its former life.

Lankford Associates Landscape Architects

The straight lines become curvy as they go out of the house.

Dan Nelson, Designs Northwest Architects

Dan Nelson, Designs Northwest Architects

Farther away in the house, wandering paths become much more casual, articulated with flagstone. The patio is accessible from the kitchen breakfast room, toward the left side of the picture.

Lankford Associates Landscape Architects

Lankford Associates Landscape Architects

Lankford utilized a series of paths, rock walls and trellises to control sight lines across the backyard. For instance, this trellis brings the eye to another pair of gardens and also to the milk window outside.

Continuing toward the milk barn we all see how the siting of the garage, the route and the following trellis direct the eye to the milk barn’s big doors.

Lankford Associates Landscape Architects

“The wife is a great gardener, and saving a few of the trees out of the existing homestead website was very significant to the customers,” Lankford says. One of the trees that the group planned around is that this 60-year-old cherry tree, which functioned as a centerpiece to website the house and courtyard around. “It actually anchors the house,” Nelson says. Beyond it’s the largest outdoor room, a patio off the kitchen.

Dan Nelson, Designs Northwest Architects

Dan Nelson, Designs Northwest Architects

Another huge influence on the website planning was that the valley’s powerful southwestern winds. This breezeway not just connects the main house to the garage but also lovingly protects the outdoor room.

The breezeway has an 8-foot-long sliding door that opens up the view of endless fields on calm mornings, then shuts to shield the patio once the winds kick up in the day. The glass roof structure imitates the rhythm of the house’s metal roof but retains the opinion open to the sky.

Lankford Associates Landscape Architects

The breezeway’s form forges a solid architectural connection between the house and the garage, giving the garage the look of a wing that was added on to the home over time.

Lankford Associates Landscape Architects

Lankford Associates Landscape Architects

“Family is very important to this couple, and they have a large extended family living nearby; this big outdoor room was very significant to them for family parties,” Nelson says. The patio was also put to great use during The Skagit Valley Symphony Garden Tour.

There is also a children’s play patio for the couples’ many toddlers to enjoy.

Dan Nelson, Designs Northwest Architects

Dan Nelson, Designs Northwest Architects

Just past the living room’s stone fireplace and French doors is another rock patio that captures exactly the exact same comfortable feeling outdoors as the room inside. The chimney’s Montana ledgestone relates to the rock used across the landscape.

Lankstone’s planting plan includes perennials, shrubs and trees that provide color and fragrance throughout all four seasons. He picked plants that won’t obstruct the sight lines as they mature.

Dan Nelson, Designs Northwest Architects

The upstairs attic gives access to the balcony seen in the previous picture. The attic is a play area for the kids and a decorative room for your wife.

Dan Nelson, Designs Northwest Architects

Around the personal bedroom wing, a formal gravel pathway winds through the landscape.

Dan Nelson, Designs Northwest Architects

Nelson added a cupola on peak of the house. This vernacular agricultural element lets in loads of natural lighting.

Dan Nelson, Designs Northwest Architects

“This was a subtle, organic design. The house is livable and comfortable; it is not a ‘statement house,'” Nelson says.

“This was a backyard that was really inspired by the architecture; it was a really wonderful collaboration,” Lankford says.

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