Good Colour for High Walls

Putting the wrong shade on high walls can make a room look closed in or amazingly tall, dwarfing the furniture and making disproportion. Whether the walls continue only past the standard 9- or 10-foot mark or span two-stories tall plays a role in selecting a suitable warm, trendy, light or dark colour. Other factors include lighting as well as also the room’s size and function. Use these points and your personality preference to select the right paint or wallpaper.

Pales in Comparison

Forget about using a dark shade on high walls in a room with poor lighting and restricted square feet — unless you’re opting for a cave- or even tunnel-like effect. Instead, choose warm-white paint or wallpaper; the slight red tinge helps to visually lower a too high ceiling, without shutting in the room with darkness. Choose trendy white — hardly blue or green — for a little room with just slightly significant walls; cool, pale walls create a little space look longer, more vibrant and more proportionate to its height.

White Here

An all-white scheme — walls, carpet, furniture, window treatments — creates maximum brightness and surfaces that appear to meld at every stage, which makes this tidy look perfect for tall spaces. High rooms using angular ceilings and insufficient lighting cast numerous shadows, nevertheless, turning true-white into dingy gray. Only use a pure white-on-white-on-white scheme at a room which boasts plenty of artificial and natural light.

Tall, Dark and Awesome

You can use saturated or dark-colored paint or wallpaper on high walls as long as the newspaper has a small sheen to improve light reflection and airiness. In a huge room, warm, dark, matte walls limit shine, raising ambiance and coziness. Alternatively, paint or paper only the focal wall — backing a fireplace or bed — to match dark floors for consistency and impact. Pull a light tone in the flooring, such as light gray out of slate, or light brown in hardwood, for the remaining walls. Flooring that’s darker than the vast majority of the walls grounds that the space.

Look Up

To create high walls or a tall, open, industrial-style home appear less cavernous, paint the ceiling a dark or warm shade. Reddish brown, charcoal, dark gray or even black paint over the ceiling consumes light and produces coziness below. Flat, matte or shine-free paint absorbs more light than reflective shiny paint, assisting you to achieve optimum results. For a pastoral or country-style residence, a wood-slat ceiling is another choice; utilize a matte finish or abandon the wood bare to prevent sheen.

Where to halt

Expand your colour options by splitting up the walls. Install trim or a plate rail at regular ceiling height — between 8 and 10 feet upward. Paint the lower part any shade you prefer, using eggshell- or even satin-sheen paint for a bedroom or living room, or easy-to-wash semi-gloss or high-gloss paint at a kitchen or bathroom. By giving this decrease area dramatic colour, from emerald green to ruby red, you keep the focus down to a typical height. Paint the upper wall and ceiling in matte white to blend one effortlessly into the other, keeping them from the shade equation.

Ceiling Showoff

High ceilings can dramatically elevate layout, so go ahead and show them off rather than play them down. Use pure-white crown molding to transition off-white, dark or bright walls to the ceiling, showcasing the ceiling’s shade — or even a ceiling mural. Provided that you avoid litter, decorate the walls smartly with artwork as well as the space proportionately with furniture and accessories, you elevate the layout’s attractiveness.

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What Color Kitchen Cabinets Won't Make Your Kitchen appear Smaller?

The ideal cabinetry shade can make a kitchen look bright and airy, but shade is simply part of the design equation when it comes to maintaining the space from seeming smaller than it is. Utilize cabinet-color trickery, openness as well as the ideal dark-colored finish to make the most of every square foot.

Gloss Over Cabinet Colors

Your cabinetry’s sheen is about as important as its shade when it comes to enhancing the kitchen size. A shiny finish — whether obvious sparkling varnish over wood, or high-gloss paint on your favorite childhood color — reflects light, raise the space. Well lit spaces erase dark shadowy nooks and corners that steal distance in the eye. Improve any cupboard shade and sheen by swapping yellowy or low-wattage light bulbs for daylight or full-spectrum bulbs.

Cabinet Color and Design

Black, dark brown or brown gray walls appear to visually recede. Believe “black-hole effect .” Contrasting white or pale neutral cabinets appear to float on dark walls, but their design might be more significant than their shade. Slim, sleek, streamlined cabinetry takes up less physical space than slick, beefy, ornate units, as do flush-mount appliances, compact furniture and minimal accessories. Lifted cabinetry feet exposes more floor area, while beadboard doors provide vertical lines that carry the eye upwards, visually raising the ceiling — and both particulars existing cottage charm.

Open to Dark Cabinets

Even dark-colored cabinetry looks less intrusive, if it’s open, allowing the eye to travel indoors to the rear wall. Take off a couple of upper cabinet doors, exposing neatly stacked plates or uncluttered rows of cups and glasses, and producing a state casual impact. Glass doors offer the same openness, while keeping out dust and oily cooking movie. If all the cabinets in a dark shade appears too visually hefty, use them for the reduced ones to bottom the space, and choose for white or stainless-steel uppers that nearly mix into pale-colored walls.

A Space-Enlarging Combine

Virtually any monochromatic scheme, boasting cupboard shade that almost blends to the wall, countertop, flooring and appliance colours, looks to enlarge space. When a room’s contents and colours appear to merge, visual begins and stops are wiped out, and circulation becomes unobstructed. A dark monochromatic strategy can be welcoming and warm, ready to point with brightly coloured accessories or an island focal point. A pale-on-pale scheme — white and icy blue, or greige on beige — appears cool and airy throughout. Although various cabinet colours keep your kitchen from seeming smaller, the colour you choose simply depends upon your style preference.

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How Do I Use Color in Office Design?

A workplace in home is tricky — you need dedicated space, a feeling of separation from the rest of the household and its own rhythms, cozy furniture and usable layout. In addition, you will need to focus on the colors in the space. Your company cubicle design may or may not have increased productivity, but you’re in control now. The colors you pick can de-stress, energize, soothe, inspire confidence, improve creativity, or just make you feel great once you pull up a seat and get to work daily.

Too Cool

Immersing yourself in character is one certain way to balance life’s stresses and restore balance. Greens and blues in an office may have a similar effect. Mint walls, white trim and a sisal carpet are crisp, new and light-filled. Lagoon or Maya blue accent wall behind the desk and bookcase, tempered with white on trim and window walls, are energetic but calming — the intense, welcoming blue will not put you to sleep the way baby or powder blue may. The judicious use of this shade isn’t stimulating enough to be distracting. To get more nature in a neutral office without a paint, add a lush green plant or some vibrant area rug in lime, white and cerulean, or move with denim or green on the desk chair upholstery.

Hot Deals

Colours that command an intense emotional reaction can define the mood in your office. Should you operate at high intensity levels and need the space to support that daily drive, look to the warm end of this warm-shade spectrum. Red is explosive — unless you’ve got nerves of steel, then you probably wish to limit it to accents. Red venetian blinds at a white office, red oriental rug in a neutral office or a red lampshade in your glass background could keep you primed for action. Sunflower yellow is a productivity booster. Yellow is great for focus, but it does grab focus; too much yellow may leave you high-strung and restless. Softer yellow walls or armless bright yellow leather “customer” seats are a strong compromise. Orange can be fantastic when it is a tobacco leather desk chair, a rust accent wall or a file cabinet. But moderation in all things is your motto when your colour preferences are equatorial.

Subtle but Sophisticated

Neutrals let you change your colour accents to fit your mood, the season or the customer project du jour. An all-white office begs for an overload of creative imagination. A linen and toast office smooths out the rough borders of this day and is anything but bland with the added textures of a seagrass mat ground covering or camel berber carpet, and wood slat blinds or unbleached linen drapes. Gray contains an entire paintbox of colours. Charcoal is tough enough for your hard-driving negotiations; pewter requires the middle ground — perhaps not too solemn yet still deep; ghost-gray has more gravitas than pure white but lightens up a shadowed alcove or daylight-deprived room. Punctuate the low-key neutrals with touches of ebony or dark chocolate at a leather desk chair or enameled bookcase, a lemon-colored ceramic lamp base, a mainly coral framed poster on the wall. Cork-tile bulletin boards and bamboo floors work with each impartial.

Plum Perfect

It is your office, so select what makes you happy. If this happens to be purple, good for you. Shades of purple, from darkest aubergine to barely-there lilac, mix the cool and warm colour spectrums and may evoke different reactions — from calm to imaginative to deep. Use more or deeper intense purples as accents, and consider them for the dominant color in carpets. Paler lavenders and grayish-purples work with strong blues, violets and royals purples — the deeper hues are acceptable for formal drapes or seating upholstery. Should you crave lighting without white-on-white, a whisper of wall paint in pinkish blush or faded lilac relieves the austerity without being too assertive. Test any wall shade with a huge swatch under all potential lighting conditions to be sure you can live with it.

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What Color Wall Paint Can Go With Merlot-Colored Furniture?

Merlot is a blueish grape that vintners may blend with cabernet sauvignons and Bordeaux wines, or jar the varietal on its own. The color merlot varies as much as the intricate flavors of the grape — by a purplish-red into a blue-purple into a almost-black — and it may be mistaken with wine, Bordeaux, blackberry and burgundy. Cherry wood is a rich color, and merlot is a effective upholstery color. Wall paint colors balance merlot furniture and exhibit.

Industrial Grape

Actual concrete walls or faux — a variegated, rough-textured blend of medium and mild grays — are a foil a living room’s focal point, for a lavish velvet sofa. Pick up the industrial wall shade in a silky low-pile carpet in a very simple pattern of silver-gray and merlot to coincide with the couch. Frame the walls and keep the palette extremely easy: silvered metals, white, the soft grey of the walls, and a glass vase crammed with almost black hydrangeas or calla lilies and deep purple.

Merlot and Marble

Cherry wood cabinets in the kitchen would be too dark and dramatic in the room without the balance of textures and colors. Cabinets and a work island with lots of marble and operate a wide marble backsplash all over the room. A stainless cooker, dishwasher and fridge include extra gleam and a touch, pickled flooring and as do the walls. The white paint’s slight chalky gray tint invites a couple of accents to offset the red tones of the wood. Set a blackberry or blueberry enameled mixer, toaster or coffee maker on the counter tops. Fill out a bowl that is porcelain with eggplants or blue-black plums.

Formal Dining

The luster of a classic dining room is improved by a careful combination of upholstery, wall and wood colors. Striped brocade cushions on the hardwood chairs reflect the red-merlot hue of the stained sideboard. Apricot walls at a gloss are edged trim. And the curtains are a mix of vitality and luxury from silk taffeta, lined with ivory silk that is heavy. The reddish-purple wine shade warms the room, along with the tones of orange help to pull together its ornate although disparate elements.

Purple Passion

An Art Deco-inspired master suite is pure theatre when merlot and black dominate the room. From the inlaid dresser to the ebony bed frame with satin bedspread, there’s no mistaking the space’s message. Black enameled walls and a tarnished ceiling gleam like a night sky. Silver wall-to-wall carpet, layered with orientals in black, pewter, wine and silver designs, echo the colors of ceiling, the walls and furnishings. Pewter silk curtains, strung in merlot to coincide with the comforter, punctuate the walls that are inky. Work with a lighting designer to acquire the task and ambient lighting just right in a room with a color character.

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Woodipedia: Is It or Can It Be Cherry?

Stains have made it rather simple to color 1 type of wood to make it resemble any other sort. However there are two species of wood that actually do seem alike in their uncooked state: cherry and alder. Here’s how to tell the difference.

TEA2 Architects

When you think about a cozy country kitchenmost probably you are imagining warm-colored cherry cabinets. “Cherry was one of the most popular cabinet forests in rural regions throughout the country, since it was so widely distributed across the USA,” notes Andy Richmond, vice president and certified appraiser at Garth’s Antiques at Delaware, Ohio.

Nevertheless there’s another wood species which features a milder version of cherry’s reddish tones and grain patterns. Alder is affectionately referred to by woodworkers because”poor man’s cherry.” With a coating of finish, it can readily pass for cherry into less-discerning eyes.

Cherry basics. When we talk of cherry, we are really referring to black cherry — Prunus serotina. A distinguishing element of most cherry wood is gum stains, or pitch pockets. They’re brief, black streaks that look like hardened resin deposits.

Occasionally cherry has pin knots — tiny brown circles which again add visual attention. High-end cherry is figured, meaning undulating beams of light seem to take across the grain, lending the plank a shimmering depth. This luminous effect is known as chatoyance.

CM Designs

Alder basics. Commonly called red alder, Alnus rubra grows principally in the Pacific Northwest, in which it’s the most environmentally abundant timber. The grain pattern and quiet coloration of alder is polarizing. Some folks like it for precisely that reason, though other people find it boring. Alder may have pin knots, but it does not have gum stains.

You will sometimes hear references to clear or knotty alder, but these are just general descriptions. “That’s not a grade,” says Walt Maas, manager of Bohnhoff Lumber at Vernon, California. “There are industry standards for grading lumber — like there are for grading meat. Each type of wood has its own specifications which specialist hardwood lumber graders follow.”

This makes it easier to compare prices when shopping. However, Maas notes that a few businesses put their own proprietary levels on lumber, making comparison shopping harder.

VERMONT WOODS STUDIOS

Contrasts between cherry and alder. There are 3 chief differences. To begin with, alder is considerably softer, so it weighs less. Second, alder is cheaper. And lastly, alder has no sapwood, that is the creamy coloured wood on the edge of a plank. Like walnut, cherry is known for having plenty of sapwood.

VERMONT WOODS STUDIOS

Cost. Cherry’s cost is somewhat contingent on the amount of sapwood. Most boards have significantly more heartwood (the pinkish-red color) on one side and clearly more sapwood on the opposite side. The proportion of each on a single board affects pricing. Another factor is plank width. Wider boards of all species are pricier.

Maas reports that the wholesale cost of cherry at his yard is $3.20 per plank. Alder is priced substantially lower, at $2.70 per board foot.

Color. Whilst alder is quite even in color, cherry’s fundamental red cast may have a whole spectrum of variants. This makes it difficult for woodworkers to color match the planks on large projects. Gene Leslie of Rancho Cucamonga, California (who produced the cherry cabinets displayed here) evened out the disparate tones by treating all of the wood with lye to artificially age it while maintaining the clarity of the grain. Amateurs need to be thoroughly educated on this process before attempting it, however, since lye is highly caustic.

When creating tabletops and cupboard panels, woodworkers frequently cut the sapwood to incorporate the prized heartwood. The sapwood is subsequently used for the interior constructions, especially in drawer construction.

Durability. Black cherry rates 950 on the Janka scale for hardness, which puts it on equal footing with soft maple but much below harder hard walnut (1,450) and black walnut (1,010).

Alder is rated 590, position it as a very soft hardwood, slightly above poplar (540).

Mosaic Architects Boulder

Not cherry. While there aren’t any wood types erroneously identified as alder, there are several misnamed cherries. Chief among them is Brazilian cherry, also known as Jatoba. It is a very popular flooring choice nowadays, not only due to its cherry-like color, but also due to its durability. Brazilian cherry rates 2,350 about the Janka scale. (Recall, hard maple is 1,450.)

Other forests masquerading as cherry are Patagonian cherry, Bolivian cherry along with African cherry, which is also referred to as Makore.

Precision Cabinets

Finishing. Cherry and alder are prone to blotching when finishing coats are applied. Again, some people today take this as a gorgeous trait of genuine wood, though other woodworkers attempt every finishing trick in the business to minimize it. It is a good idea to ask for a completed sample.

VERMONT WOODS STUDIOS

UV stability. Cherry naturally patinates into a darker, richer color over time. American antiques expert Andy Richmond notes antique cherry furniture may resemble mahogany.

It is also a superbly UV-unstable wood, which many woodworkers utilize to their advantage. To quickly and painlessly deepen the color of some cherry planks, woodworker Gene Leslie intentionally leaves them out in sunlight after grinding them.

Krista Agapito – S&W Kitchens, Inc..

Sustainability. Domestic hardwoods are endorsed by the U.S. Deptartment of Agriculture as a preferred green building material — in large part because of the responsible harvesting approaches practiced by the American hardwood industry. Another significant element in the sustainability of American hardwoods is the minimal transportation requirements, in comparison to those of imported exotics.

More: Learn about more forests and how to utilize them on your design

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The Way to Fix Vinyl Cloths

Fixing a vinyl thing can be sometimes simpler and more economical than replacing it if it covers a big or a favorite object. Durable vinyl fabric is used by Producers . Even though it holds up under normal usage, vinyl may tear, burn or stain. You may find vinyl repair kits and items at cloth shops and most department stores.

Dampen a cotton mat with rubbing alcohol or use the cleaning wipes contained in your kit to wash around the area and remove any dirt or oils.

Wash the area with soap that is gentle and warm water to ensure a fresh surface. Dry the vinyl with paper towel.

If you’re repairing a hole or a tear that goes entirely through the fabric, cut as backing for the damaged area — on a sub patch — contained in the kit. In the event the vinyl covers foam, such as Set the patch behind the hole with tweezers to get it.

Make sure the sub patch lies flat without any ripples or folded edges that could show through. It does not need backing if your vinyl cloth has surface damage, including a scrape.

Select a paper that is graining you are currently repairing. Vinyl comes in a variety of textures, known as graining. By way of example, vinyl may be dimpled, eloquent or stained with a faux leather look.

Cut the graining paper to fit by at least 1 inch in all directions beyond the damaged area. Lay the paper over the tear or hole.

Meld the newspaper with the ripped vinyl by rubbing the heating tool’s tip in a circular motion over them for 20 to 30 seconds. As you operate, hold the newspaper still. The paper and the damaged vinyl creating a seam will fuse together.

Permit the fused fabric to cool. By gently pulling it off, Eliminate the surplus graining paper.

Mix the colour of this repair compound in a disposable cup employing a combination of the many included colours. Consult with the colour chart and operate at a space for the best results. Remember that the compound will darken as it dries.

Hold the knife and then drag the compound lightly and beginning out of the damaged area to create a repair. Work with the amount of product that is compound and cover that 1 inch of the damaged material at one time. Repeat this process until you’re pleased with the outcomes.

Lay another bit of graining paper with precisely the same pattern as you selected for the backing — over the compound. Hold the graining paper in place while rubbing against the heating tool. The length of time differs based on the type and thickness of the vinyl.

Permit the newspaper to cool. Lift and remove the paper that is extra to reveal your repair that is finished.

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Victorian House Information

Victorian homes were built during the reign of England’s Queen Victoria, from 1837 until her death in 1901, and have a striking and unique look. Beyond its historic charm, owning a Victorian home may have an added financial benefit. Local and federal incentive programs exist for the purchase and restoration of vintage homes, such as the Federal Rehabilitation Tax Credit, which may pay up to 20 percent of restoration costs on qualifying elderly or historic houses.

Identifying Features

Victorian homes usually have an asymmetrical shape and small or large asymmetrical porches on the top or base level, or both levels. The steep roofs have a decorative wall, called a pliable, attached at the triangular portion of the roof, facing the front of the house. Columns, shingles and siding have stained or textured borders.

Popular Victorian-Era Styles

The Victorian home evolved to various styles over time whilst maintaining the exact same standard design sensibility with innovative touches which represented the architect, area and time. Victorian styles include the Edwardian, Gothic, Italianate, Richardsonian-Romanesque, Second Empire, Shingle, Stick-Eastlake and Queen Anne. Generally speaking, Edwardian houses have Art Nouveau influences and stained glass. Gothic houses have gingerbread-style wood detailing. The Italianate style has columned porches, a flat roof and angle-set bay windows. Richardsonian-Romanesque houses have masonry construction rather than wood. Second Empire houses have tall wrought-iron ornamental details. A Shingle style home often has a stone or brick floor and windows of varying dimensions. Stick-Eastlake houses have a freestyle decor and square bay windows. The towered Queen Anne has a roof with a gable.

Victorian House Interiors

Traditional Victorian interiors received inspiration from the Italian Renaissance and the medieval period periods. Intricate ceiling designs, cornice finished plastered walls, chandeliers, mirrors and fireplaces contained the decor. Owners painted the interiors with pastel colors similar to the vibrant pastel palette shared to a Victorian home’s exterior. The book”Victorian House Style: An Architectural and Interior Design Source Book,” written in 2002 by Linda Osband, Provides a room-by-room manual for Victorian layout and an outdoor backyard.

San Francisco History, Preservation and Restoration

More than 50,000 Victorian homes dotted the San Francisco city landscape from the early 20th century. An earthquake in 1906 caused a fire that burned for four days, ruining close to 75 percent of the area’s houses, including many of the first Victorians. Local citizens located the Victorian Alliance at San Francisco in 1972 to encourage preservation and recovery efforts and also to reduce demolition and stripping of Victorian houses in the area. Should you own a Victorian home in the area or aspire to purchase one, combine the members for a monthly meeting to share preservation hints and techniques.

The Painted Ladies

On Postcard Row, the San Francisco city skyline rises up behind the Painted Ladies, a row of colorful Victorian homes most identifiable from the TV series”Full House,” a popular sitcom in the 1980s and 1990s. In 1978, Elizabeth Pomada and Michael Larsen wrote the book”Painted Ladies: San Francisco’s Resplendent Victorians,” and in 1989,”The Painted Ladies Revisited,” showcasing and describing how to make your own Painted Lady.

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Home Accessorizing Made Simple

Accessories are what give an inside soul and help differentiate a house from a furniture showroom. When accessories are done correctly, they tell the story of their owners’ lives — their passions, their journeys … and maybe their heartbreak. But accessorizing a house can be a scary thing. We’re often unsure what to include, what to leave out and how to arrange the things that remain. Fear not. As soon as you realize the fundamentals, accessorizing could be a snap.

Look around your house, attic, basement and lawn for possible accessories. At times it’s not the thing itself, however you exhibit it, that counts. Frequent objects like stones, shells or pinecones make great accessories — if you gather enough of them and display them in an attractive bowl. Arrange costume jewelry onto a tray or fill out a bowl with decorative matchbooks. The next time you travel, skip the T-shirt shop and head for the antiques shop, craft gallery or flea market. You’ll come home with something appealing and a story to go with this.

The bottom line: If you have fun with your own accessories, your loved ones and friends will get pleasure from them, also. Check out more information and find more inspiration beneath.

Christopher Burns Interiors

Avoid placing like things at opposite ends of a fireplace mantel. (Imagine how boring that this mantel could have been if one candlestick sat on each end.) Rather, rely on clusters of objects to balance one another. Propped and overlapped photos feel much more casual and curated than artwork that is hung, and in this instance help unite the vignettes on each end of the mantel.

Kerrie L. Kelly

Avoid dispersing individual accessories round a space. Organize them in groups, combining items that share an identical palette, texture or character. Unless you’re dealing with a collection of indistinguishable objects, change the size of the pieces and lean toward having an odd number for each vignette so things do not get too symmetrical or matchy-matchy. Organize the items in a pyramid, from highest to lowest, with the tallest thing in back. If an item is small, group it with other small things on a tray or in a bowl. If it’s too low, set it beneath a decorative box or books.

Paul Davis Architects

Unless you are living in a library, combine accessories with books. (Only keep the paperbacks from the bedroom or someplace inconspicuous.) If you do not own books, purchase some in a yard sale or library purchase — they do wonders to warm up a room and are one of the least expensive accessories you can find.

Not My Favorite Books! Pain-free Ways to Reduce Your Library

Do not forget the anchor. The candles with this coffee table anchor the arrangement and are surrounded by objects of descending size. Small things are grouped onto a tray, so they have a collective existence. The bowl of apples functions just like fresh blossoms — it makes this feel as a “living” structure rather than something that was put here two decades back and never touched.

Tiffany Eastman Interiors, LLC

Pay attention to scale. Your arrangement should not be too large or too puny for the surface it’s on. And do not feel as though you have to fill every tabletop — the eye needs a chance to rest, also.

Since all 3 things on this particular coffee table are roughly the same size, the coral was set atop a stack of books to stagger the peaks. Notice how the book jackets pick up the color of the vase and the seat cushion.

Adrienne DeRosa

Group objects that share a common character, while it’s a unifying color, finish or texture. In this instance the figure, skull, box and bowl all share a similar color palette and feel of history — as does the tortoise shell out on the coffee table.

Julie Ranee Photography

If you’re a collector, do not hide your fire in a neart. Group items together on shelves or tabletops, or display them on a wall. (Unless the objects are delicate or valuable, prevent curio cabinets, which frequently look fusty and inhibit interaction.) Combining lots of like matters gives them a collective weight that they would not have individually. The collections do not have to be matters of great value, either, as shown by this display of straw hats.

Sutro Architects

Know that almost anything can look great if you set enough of them together. If you’ve got a restricted number of great pieces, throw in a couple of imposters; you can always replace the affordable examples with better ones as you acquire them.

Zuniga Interiors

Echo an accent color. If your chamber has a dominant accent color, echo it in the drapes to tie the space together. Here the orange of the walls is repeated in the vases, and also in some of the coral. On the foreground table, notice how a footed bowl provides the coral height and scattering the arrangement.

Tracy Murdock Allied ASID

Keep your eyes amused. Here’s another example where the accessories select up the dominant accent color in the room and give your eye someplace to travel. The glass compotes on the coffee table make even ordinary objects appear special.

JayJeffers

Look for equilibrium. Interior designer Jay Jeffers knows his way around an accessory! I like how he used the sculpture to equilibrium the lamp onto the console table here, and also the artwork group to equilibrium the tall picture and help bridge the space between the furniture and the ceiling in what is obviously a tall space.

Jamie Laubhan-Oliver

Be open to surprise. When an everyday thing is taken out of context and treated as a work of art, it can take on special significance. This old scale is now part of a still life. I’ve seen people decorate with vintage microscopes, scissors — even old lawn sprinklers. The only limit is the creativity.

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City View: Miami Design Keeps an Open Mind

In terms of design, when you’re thinking “Miami,” don’t believe “vice.” “Cheesy black and white leather and chrome is a common misconception in regards to Miami design,” states North Miami interior designer Ivonne Ronderos of of DKOR Interiors. “Because so many of the homes here are second homes, the owners are way more open minded to style; they are lively rather than formal.” The rich mixture of history and cultures, the most recent style styles and colour inspired by the colorful surroundings all play a part in providing Miami its different style.

Despite the spectacle that Miami’s Art Basel exhibition is now, we’re presenting a virtual visit for those who can not make the series (December 6 to 9, 2012). Here is what’s happening from the Miami design scene today.

DKOR Interiors Inc.- Interior Designers Miami

In lieu of the 1980s Crockett and Tubbs cheesy bachelor look, Ronderos took a sophisticated approach with this manly area, layering rich textures and warm neutrals.

DKOR Interiors Inc.- Interior Designers Miami, FL

“In Miami individuals are open and keen for new ideas, not the typical interior,” states Ronderos. Case in point: this striking photograph that looks like a gorgeous slab in a powder room.

DKOR Interiors Inc.- Interior Designers Miami, FL

Ronderos also notes the way insides reflect the climate and the seaside environment. “The weather affects a lot how that people perceive their distance and how they want their distance to sense — it’s simple, free and brings the outside in.”

“Culture is also a large influence in creating a different Miami look,” states Ronderos. “You view it inside the regional vendors: Ornare, Adriana Hoyos, Artefacto … it affects the general design of furniture, accessories and finishes.”

Nicole White Designs Interiors LLC

“Color to me is synonymous with Miami design,” says interior designer Nicole White. “Our designs here are deeply influenced by many vivid things, including the ocean, plenty of foliage that never fades and, possibly most different, the selection of cultures we have to draw from here that invariably affect and influence our designs.”

Nicole White Designs Interiors LLC

“We are a diversely rich community, where in a couple of minutes, it is possible to take a drive down precisely the same road and listen to English, Creole, Spanish and Portuguese,” White says. “With that mixture of language comes a exceptional mixture of experiences, and therefore it’s hard not to have that mirrored when you style.”

Nicole White Designs Interiors LLC

“I believe more than anything, the bold splashes of colour I often use in my designs are a direct representation of the vibrancy transported from those civilizations,” White says. “This vibrancy can be often showcased in artwork via endeavors that directly reflect a customer’s history and private musings.” She’s excited about purchasing Art Basel this season with a customer who’s a first-time homeowner.

DawnElise Interiors

While Miami designers don’t shy away from color, they are also embracing neutrals. “A new fad juxtaposes natural colours and materials with items having a more mechanical sense,” says interior designer Dawn Elise.

Case in point: Leather, wood and cowhide mingle with classic Toledo stools, steel and glass.

DawnElise Interiors

Of course, it’s not all neutrals for Elise, who notes Miami designers also use pastels in a distinctive and forward-thinking way. “They can be done tastefully and look great,” she states.

CLAUDIA LUJAN

Interior designer Claudia Lujan notes that Miami homes incorporate clean lines that are clean.

CLAUDIA LUJAN

Lujan also notes that colour is a large factor and that she receives inspiration from the runways.

CLAUDIA LUJAN

“Miami is about fashion and who has the most recent things; the latest style trends inspire my designs,” Lujan states.

Complex Designs

“Over the past 100 or so decades, Miami has seen the tides of design ebb and flow together with all the cultural influences that have landed on our sunny beaches,” says Vic Lohmann, president of Complex Designs. “This wonderful melting pot of flavor makes the area strangely varied and gives a special backdrop of saying.”

Complex Designs

Lohmann points out the influence being a significant port has on design. “Geographically, we’re fortunate to have a global delivery hub in our backyard, so there’s never a shortage of new products like rock, tile, millwork in addition to a very well-heeled artwork marketplace and acquaintances,” he states. “By matching the ever-shifting demands of imagination together with the huge sources of product, you’ve got the perfect incubator for cutting edge design.”

Complex Designs

“No matter an individual’s taste in furnishings, finish and style, there’s a home for it and no shortage of local talent in executing a job from concept to delivery,” Lohmann says.

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11 Wonderful Ways to Use Wool Around Your Home

Wool has a deep, warm, rich look and a long history. This fabric dates back to earlier history was recorded, when people found that sheepskin would keep them warm when the weather was cool and cold when it had been hot, and would absorb moisture without feeling wet. When it would be difficult to duplicate a fiber with the attributes that wool has, modern technology has enhanced some of its undesirable traits: Now’s wool creases well and is shrink resistant, mothproof and even stain resistant. Because of these technological improvements, wool stays a very popular option today.

CWB Architects

Plain blankets. Warm in winter and cool in summer, wool is a great solution for blankets. It’s also more resistant to fire than other natural fibers.

Dyed blankets. Wool fabric holds dye well, so the color lasts longer. Regrettably, it needs mothproofing.

ducduc

Rugs. Wool fibers’ antistatic properties and natural resistance to soiling makes them a desirable selection for rugs. But when wool will not get dirty, it is not as easy to wash as some synthetic fibers.

lynn-anne bruns

Toilet accessories. Much like when it’s on a sheep, wool is hydrophobic (resists water) and resists odors, so it performs well in the bath area.

Niche Interiors

Sheepskin throws. A sheepskin throw adds a romantic touch and a welcome layer of cushion to furniture.

Watch more manners with sheepskin throws

Stern McCafferty

Sheepskin rugs. The natural sense of wool in its natural state makes a room feel cozy and comfortable. Do not worry about the long fibers — wool resists crushing.

FORMA Design

Felted accessories. These felted wool stones by Vivaterra add a unique flair to a space — and also show off the diversity of wool fibers.

Tracery Interiors

Wool throws. Wool is considered hypoallergenic, which makes it a great fabric for a throw cover. But, washing pure wool with alkaline detergents can harm it.

Ryland Peters & Small | CICO Books

Knitting. Wool in its natural state has a crimp into its strand, which generates a flexible property when it’s woven into yarn. The elasticity makes it more lasting and a wonderful product to knit or crochet with.

Gaile Guevara

Upholstery. Wool is a great selection for upholstery since it resists piling and breaking, meaning it’s extra durable.

AIA, mark English Architects

Bedding. Wool’s wrinkle resistance makes for a beautiful bed cover. The fabric can feel very soft when the organic lanolin isn’t eliminated from the fiber.

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